#Maniac flashdance soundtrack movie#
Let's use that as a kind of a motive, as a kind of a driving thing for a dance.'" Lyne had grown accustomed to using the music by the end of filming and wanted it in the final cut, so Ramone asked for lyrics to fit the movie and had Sembello re-record the song. During the film's pre-production, the two-tone siren music used in the bridge stood out for the film's director, Adrian Lyne, who said, "One of the tunes I'd heard had a kind of a chime in it, that kind of 'bing-bong-bing-bong-bing-bong', like that, and I said, 'Let's use that. It did provide the additional lyrics they wanted, but the demo they recorded wound up on a tape sent to Phil Ramone, who was looking for songs to use in Flashdance. Sembello recalled their usual process for situations where they needed more lyrics: "Whenever we get an idea, we start researching, but we didn't have Google." Matkosky found the 1980 slasher film Maniac and rented it to see if they could come up with more to put in the song. We were trying to make our friends laugh." Matkosky said, "We thought it was a joke because we weren't trying to write a song. Their inspiration for the bridge came from the Bloodrock song " D.O.A.", a number 36 hit on the Billboard Hot 100 in 1971 that recreated the two-tone siren used on ambulances in England at that time, and Sembello came up with the idea of using " Chopsticks" to introduce the instrumental portion of the song.
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Hit the weirdest chord you know," and they began composing the music. As soon as Matkosky was seated at a piano, Sembello said, "All right. He'll kill your cat and nail it to the floor." He took the idea to his friend Michael Sembello, whose eyes widened with interest when he heard the title. He jokingly thought, "With my luck, this guy lives next door to me," and immediately jotted down the lyrics that came to mind: "He's a maniac.
#Maniac flashdance soundtrack serial#
The general concept for what became the Flashdance hit came to songwriter Dennis Matkosky while watching a news report about a serial killer. Phil Ramone produced the song with Sembello. Cover versions of the song cropped up in the UK, however, and one recording of a DJ rapping over a remix spent 10 weeks at number 1 in Ireland in 2000 and became the country's fifth biggest-selling single of all time. He included "Maniac" on his debut album but made it clear that he would not be putting out a similar song just to capitalize on its success and that he wanted people to forget his hit record and focus on his latest material. The song thrust Sembello into the spotlight for the first time with personal appearances to promote it and even won Matkosky and him a Grammy for their composition. Because its video was shown extensively on MTV and Flashdance became the third highest-grossing film of 1983 in the US, Hollywood began to see music videos as a profitable way to market films. The song spent two weeks at number one on the Billboard Hot 100 and performed well in several countries. The new recording was used for a scene in which the main character trains rigorously at home.Īfter the film became a surprise success, a music video was made using scenes from the film and began airing on the cable channel MTV in May 1983, coinciding with the release of the single.
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When Flashdance director Adrian Lyne grew attached to the demo of the song used during filming, his music supervisor Phil Ramone requested lyrics more appropriate for their story of a dancer and worked with Sembello to produce a new version for the soundtrack.
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The original idea for the song came to Matkosky while watching a news report on a serial killer, which inspired gruesome lyrics that he and Sembello expanded upon after finding a 1980 horror film with the same name. " Maniac" is a song from the 1983 film Flashdance that was written by Dennis Matkosky and its performer, Michael Sembello.